Minggu, 31 Mei 2009

How Can Angelina Jolie Be Pregnant Every Week?

Los Angeles (E! Online) – How can mags get away with proclaiming Angie and Brad preggers and in love one week, breaking up the next, ready to adopt the week after? Are they really that volatile? Do mags just make s--t up?

—Carly, via Facebook

We're talking about a pair of bazillionaire mega-movie stars. Why wouldn't Angelina Jolie and Brad Pitt be at least partially as volatile as the headlines claim? Sure, mags are responsible for their own drama-queen headlines. But in general, when it comes to this couple, I am told that the crazy Brangie reports are at least believed to be true by the people who gather and write them.

Still, let's dig a little deeper and take a look at a few of the rumors you mention, starting with the constant whisperings of pregnancy...

Of course many mags have just gotten this story wrong at one point or another; Angie has birthed one single baby and one set of twins, despite rumors of her being pregnant every second of every day. In fact, according to Star, Angelina is carrying a fourth messiah child right this very millisecond. This could be true or not—I really can't say I care.

But remember, reporters rely on sources, some of whom are more connected than others. When there's a very clear-cut story about a pregnancy, there's usually a source, or someone, who heard something that led someone to believe that Angie was preggers.

"There are a lot of reasons why someone could report a pregnancy," says CoverAwards founder and former Life & Style editor Mark Pasetsky. "They could have someone tell them they are pregnant, or just trying to get pregnant."

Many magazines say one thing on their covers and report something quite different on the inside.

A headline may scream something like the oh-so-fresh phrase "baby joy," but inside, the copy is all about some couple just talking about a baby. Remember that candy-colored headline from OK! magazine proclaiming Shiloh and Suri to be "best friends"? That was based on a report of some vague conversation between the parents about maybe arranging a play date.

Read the whole story—if you can stand it—and not just the cover.

But the most important point to remember here is that some celebrity couples really are that dramatic. Would you really be all that shocked if Brangelina were one of them?

Minggu, 24 Mei 2009

Kiefer Sutherland, designer resolve issues

NEW YORK – Kiefer Sutherland and the fashion designer he's accused of head-butting at a Manhattan night club said Friday they resolved their differences, clearing the way for the charges to be dropped. Sutherland and Jack McCollough issued a brief joint statement Friday to The Associated Press through Sutherland's attorney.

"I am sorry about what happened that night and sincerely regret that Mr. McCollough was injured," Sutherland said in the statement.

The star of Fox television's "24" was charged May 7 with third-degree assault in the alleged incident two weeks ago at a nightclub at the Mercer Hotel in the trendy SoHo neighborhood of Manhattan. The minor charge is comparable to a speeding ticket.

A spokeswoman for the Manhattan District Attorney's office declined to comment on whether the charges would be dismissed.

But now that Sutherland and McCollough say they have resolved their differences, a prosecutor may go before a judge and ask that the case be dropped. That could happen at Sutherland's next scheduled court appearance on June 22.

"I appreciate Mr. Sutherland's statement and wish him well," McCollough said in the statement.

McCollough, of the high-end Proenza Schouler fashion house, said Sutherland head-butted him and broke his nose after an argument. The two were out following the gala at the Costume Institute of The Metropolitan Museum of Art, a fancy affair studded with celebrities.

The story spurred a media frenzy as a swarm of reporters gathered outside the 1st Precinct in Manhattan to watch as Sutherland arrived for questioning and was charged. Photographers also shadowed Sutherland and McCollough while rumors swirled about the nature of their altercation and what role, if any, actress Brooke Shields might have played.

Sutherland, who has won a Golden Globe and an Emmy for his portrayal of dashing federal counterterrorism agent Jack Bauer on "24," pleaded no contest in October 2007 to driving with a blood-alcohol level above the legal limit of 0.08 percent.

He served 30 days in jail, in addition to 18 days for violating probation in a 2004 drunken-driving arrest.

Brazil fashion show to push for racial inclusion

SAO PAULO – Organizers of Sao Paulo Fashion Week have promised to take steps to try to make sure that at least 10 percent of the models walking the runways will be blacks or Indians.

State prosecutors say they struck a deal with the event's organizers calling for proof that they will attempt to convince designers taking part to promote racial inclusion.

Noncompliance by organizers could result in a fine of as much as 250,000 reals ($125,000) in a nation where nearly 50 percent of the population is black and there is a large Indian minority.

Prosecutor Deborah Kelly Affonso said the deal announced Thursday with Luminosidade Marketing & Producoes followed a state investigation. It stemmed from complaints the event recently had fewer black models.

Giorgio Armani recovering after hepatitis

MILAN (Reuters) – Italian fashion designer Giorgio Armani said on Thursday he had had a case of hepatitis and is now recovering.

The 74-year-old said in a statement he had decided to "calm worries" after a high level of interest concerning his personal well-being in the last few days.

"I have in fact suffered from hepatitis by poisoning, which, certainly is not a rare illness. Nevertheless it is one which requires some time for a complete recovery," Armani said.

The designer, who counts numerous celebrities as his fans, added that he was recovering and that the company had continued to operate "normally with business as usual."

"My commitment both on the creative and management side has never relented," he said.

"Consequently there has been no shift in delegation of my authorities to any one of the executives and everything in the company is proceeding with the usual energy."

Armani is considered the doyen of Italian fashion. His clothes are known for their classically elegant lines and muted colors.

He is due to showcase his menswear collections for the Giorgio Armani and Emporio Armani brands during Milan's fashion week in June.

Coco Chanel film brings curtain down in Cannes

CANNES, France (Reuters) – A lavish portrayal of a brief affair between Russian composer Igor Stravinsky and fashion pioneer Coco Chanel in the early 1920s brings the curtain down on the Cannes film festival on Sunday.

The festival's closing film, "Coco Chanel & Igor Stravinsky", directed by Dutch-born Jan Kounen, stars Anna Mouglalis and Mads Mikkelsen in the title roles, and is based on Chris Greenhalgh's novel which weaves together fact and fiction.

The movie opens with the infamous 1913 premiere of "The Rite of Spring" in Paris, where Stravinsky's score and Vaslav Nijinsky's experimental choreography were greeted with boos, jeers and a near-riot.

Seven years later Chanel, who attended the premiere, is introduced to the impoverished composer, and invites him and his family to move into her villa.

Although the facts of what happened during the brief sojourn are hazy, in the film the characters have a passionate affair which feeds into their creative energy.

"I ... discovered that Coco attended the first premiere of The Rite of Spring and that Stravinsky lived in the house in 1920, that's a fact," Greenhalgh told reporters in Cannes.

"Other than that there was very little (information). I had the framework of the facts but the freedom to invent everything that happened inside the villa."

Early reviews have praised the look of the movie, which recreates the sumptuous Art Deco style of the villa and the fashions of 1920s Paris, but several said the actors failed to bring the historical characters fully to life.

SECOND CHANEL PICTURE THIS YEAR

Coco Chanel & Igor Stravinsky is not the first feature film on the life of the fashion designer to be released this year, after Audrey Tautou portrayed her in "Coco Before Chanel".

Kounen said the coincidence was not necessarily a bad thing for his movie, because it forced him to speed up his production which was therefore less affected by the financial crisis.

Coco Before Chanel hit French cinemas in April but has yet to be screened in most other countries.

"When there are two films with the same character you have to work fast, you have to be out fast," he said. "The film exists partly thanks to the fact that there were two projects."

And while Kounen's movie focuses on the relationship between Chanel and Stravinsky, Coco Before Chanel is about her rise from humble beginnings to fame and fortune and her love affair with Arthur "Boy" Capel, who died in a car crash in 1919.

Coco Chanel & Igor Strvinsky has its premiere in Cannes on Sunday evening, when the main prizes at the end of the 12-day festival are handed out.

In the rumor-filled atmosphere that traditionally precedes the award of the Palme d'Or, French newspapers carried talk that the jury was split due to the imperious style of Isabelle Huppert, the French actress heading the panel.

The Journal du Dimanche said there was speculation that some members could quit the jury, leaving Huppert to present the award for best film among the 20 main competition entries almost alone on stage. The Chanel movie is out of competition.

Indie filmmakers in Cannes still dreaming of 3-D

CANNES, France (Reuters) – When rock band U2 played at the Grand Palais of the Cannes film festival in 2007 to trumpet their new three-dimensional concert movie, backers of modern 3-D films hailed the coming of a new era in movies.

Two years later, independent producers and distributors making films outside Hollywood's major studios are still waiting for that day to dawn.

Many of them face the same hurdles major studios face -- a lack of theaters equipped to play 3-D films, especially in Europe and Asia, and questions over who will pay for the special eyeglasses to watch them.

They also face a hurdle of their own, lack of money, because independents are rarely as well financed as studios.

But much as The Walt Disney Co. did in 2005 with its 3-D version of "Chicken Little," a few indie producers are wading in, lured by the possibility of bigger box office from higher ticket prices and more fans.

Their involvement is good news for film fans, because in recent years independents have made many of the best movies with original tales like Oscar winner "Slumdog Millionaire."

Jonathan Wolf, executive vice president of U.S.-based trade group the Independent Film and Television Alliance, said that when special effects-filled movies became big business, people wondered if indies could keep pace with the majors.

At the time the answer was yes, and it is the same with 3-D.

"Anywhere there is commercial viability, there will be a market," Wolf said.

Three-dimensional images date back to early movies and gained popularity in sci-fi films of the 1950s. But they quickly faded due to unsophisticated technology.

New 3-D movies use improved eyeglasses and new digital projectors that improve the quality and theatrical experience.

INDIES IN 3-D

The opening night film in Cannes this year was Disney/Pixar's "Up," which will have 2-D and 3-D versions.

DreamWorks Animation Inc. enjoyed a $334 million global success this year with its $175 million "Monsters vs. Aliens," some of which came from 3-D, and Hollywood has a large slate of 3-D pictures ahead.

Ticket prices for 3-D films can range from $2 to $5 higher than normal, and distributors find the excitement of seeing some types of movies -- animated family films, action, fantasy and horror -- in 3-D lures more fans to theaters.

U.S. independent Lionsgate enjoyed a strong, $71 million global box office with its "My Bloody Valentine 3-D," which had a reported production budget of $15 million.

Joe Drake, president of Lionsgate's motion picture group, said his company saw opportunities in 3-D, but initially did not know how to make a 3-D movie. Still, it forged ahead, learned the technology and after a time, found it workable.

"The fact is, it's a very accessible, and not actually an over-complicated thing," Drake said.

He declined to give a figure on how much making 3-D added to "Bloody Valentine," but said it ran into "the millions."

Technology experts said 3-D can add as much as 10-15 percent to the cost of making a film, and DreamWorks chief executive Jeffrey Katzenberg has said the additional cost for making one of his big-budget flicks is $15 million.

For now, the higher cost keeps 3-D in the realm of major studios or independents like Lionsgate that are well-financed and have their own -- or easily accessible -- distribution.

The expense precludes low-budget filmmakers whose costs are $5 million or less from venturing into 3-D. Moreover, the human dramas or comedies made on low budgets for limited release in art-houses have little to gain from 3-D, industry experts said.

However, the rule of technology is that costs decrease over time as commercial markets heat up, and executives envision a young Danny Boyle, for example, one day making a 3-D film that is as big a hit as Slumdog Millionaire, which he made in 2-D.

Pink slams American Idol finalists

PINK has criticised this year's American Idol finalists for butchering her song.

The 13 singers had to perform a version of her song 'So What' during the show's finale.

Writing on her Twitter page, Pink, who is currently on tour in Australia, said: "I heard it through the grapevine that someone butchered my song last night on TV. Does that mean I've 'made it'?"

Pink appeared on American Idol in 2007 for the show's annual 'Idol Gives Back' episode but reportedly fought with the show's producers, who wanted to alter the lyrics to her song 'U and Ur Hand'.

She refused to change the track and instead performed her hit 'Who Knew'.